Portfolio of Margus Tamm
Art Design Text CV
2018 2015 2014 2013 2012 2011 2008
2007 2006 2005 2004 2003 2002 2001
1998
I Want You! Next Stop: Academy of Arts
Raymond the Diamond
Raymond the Diamond The First Three Minutes You and Me
Are We Not Drawn Onward to New Era Novella Never Odd or Even
KP / House of the 27 Rising Suns KP / The Haunted History Museum
Face It Let's Face It!
Artishok Annual Exhibition: XxX Blood and Honor Horror Mirror​ State of Decorations This Was the Best Party and I Wasn't There View to the Freedom Square
Sky Is the Limit and We Are On the Half Way Untitled You Are the One I Have Waited For
Black ceiling Wooligans
Arvo Pärt The Bomb I The Bomb II
Art is Great! I Could Be Your Mother! Leave Home
Hot Art Chatline
Happy Holocaust Smells Like Teen Spirit Visitors From the Future
Avant-garde or Death The Classics
Various drawings
2022 2021 2020 2019 2018 2017 2016
2015 2014 2013 2012 2011 2010 2009
2008 2007 2006 2005 2003 2002 2001
A New World Health Insurance for All! Homing Beyond Everyone Lembit Ulfsak Stand by Me Tell Me Tõnis Vint
13th Youth Song and Dance Celebration bLOSSom Captain Volkonogov Escaped Cats & Dogs Return to Innocence Stories of Love, Bloom, Lust and Loss TAVA ´21 The Houses We Need
Dramagazine Hier Nicht Kunst.ee '20 Museums Today The Conspiracy of Art
Call Center (TV) Curator Estonian Drama Theatre Kunst.ee`19 The Invisible Fight
Anti-Animation Art is a Jam on Life's Bread Kunst.ee '18 TAVA '18 The Man Who Surprised Everyone The X-Files Tönk Words
(Hyper)emotional:YOU Funk Lessons Kunst.ee '17 November movie
Active Encounters (ENM) Digital Encounters (ENM) Encounters (ENM) Encounters catalogue (ENM) Kunst.ee '16 Life is easy, living yet difficult Model, Metaphor, Play TAVA '16
Budapest (VKT) Contact (VKT) Estonian Music Days '15 Hopeless Youth! How the West Was Won (VKT) Kunst.ee '15 Our Moms Were Buying Stuff Lest the War Happen (VKT) The Nativity Words (VKT) Unbuilt / Ehitamata
# Chilling Around Town (ENM) 2150 Portraits / Dolly At the End, There's Only Love (VKT) Estonian Music Days '14 Kunst.ee '14 Käbekärp (VKT) Life is Very Hard (VKT) Razor Blade meets Occam's Razor Razor Blade: The Book of Krahl (VKT) Social Games in the Art Space The Curse of Solaris (VKT) Typical Individuals What We Talk About When We Talk About Love – or – Barbarella (VKT)
4.48 Psychosis; Cleansed (VKT) Art's Birthday Bloody Mary (VKT) Estonian Music Days'13 Kunst.ee '13 Oh My God (VKT) Palindrome I Palindrome II Rehepapp movie Sarah Kane magazine (VKT) Simulacre (VKT) Slave (VKT) Snark Von Krahl Theatre
Apocalypse Now Estonian Music Days '12 Grammar of the Multitude Kunst.ee '12 Shopping Fever (ENM) The Language of the Flowers (VKT) Wanradt-Koell Catechism
Composer in Residence Estonian Music Days '11 F like Futurism Indie-Disco Kunst.ee '11 Lift11 LR magazine The Idiot movie The Presence of Absence I The Presence of Absence II Unesnõiduja
II Artishok Biennale Artishok Records Big Man Already (TCT) God's Zanies (TCT) It's Only the End of the World (TCT) Kunst.ee '10 Ministry of Arts Moriarty 2010 Play the Tongue (ENM) Split Mind The Fire Risers (TCT)
Empty Set Grey Matter Kunst.ee magazine Thesaurus for the Minotaurus
Art and Research Artishok Annual Exhibition: 10x10 Before You Think Groupings in Contemporary Estonian Art If You'll Believe in Me, I'll Believe in You Stella: Love You Boy Temporary Type I Temporary Type II The World's Last TV-show
Ariel Fresh Paint KUMU 1990s Culture Club Parasite typography Small Art Stella / Chalice
Artishok Creative Class Hero Edasi Funerals of President Lennart Meri
Arvo Pärt Festival My Way – Hard Way Young Estonians
Quest for Fire
Revolution Special The Inscrutable Mystery
100% Night
English Estonian
2022 2021 2020 2019 2018 2017 2016
2014 2012 2011
From Disruption to Innovation
Archaeology and the future of the Estonian post-internet
Home Tactical media and DIY activism from the global point of view
Things That Matter
Peeter Linnap, CEO of “Factory of History” The Geopolitics of the Sublime
Death in Venice Introduction to the Interior The Great Branding of Nations
We Are Standing on the Shoulders of Fallen Heroes
About Street Art ALLURE 'EM Place and Interventionist Art The Cultural Pyramid Scheme
Content and Form
On Public Art as Communication Act
2022 2021 2020 2019 2018 2017 2016
2015 2014 2013 2012 2011 2010 2009
2008 2007
Crypto-core kui tõejärgse ajastu esteetika Katkestusest innovatsioonini Rahumäe (ilukirjandus)
1983, Loksa (ilukirjandus) Eesti postinterneti arheoloogia ja tulevik
Kodu
Asjad, mis loevad Brändid barrikaadidel
Artishok: Kontekst Peeter Linnap, “Ajaloo vabriku” tegevjuht Ülevuse geopoliitika
Sissejuhatus interjööri Suur rahvaste brändimine
Me seisame langenud kangelaste õlgadel
Hämmeldunud ja segaduses, aga õnnelik Õudsed lood
Koht ja sekkuv kunst Kultuuri püramiidskeem MERE LAUL Tänavakunstist Uuest Eesti Rahva Muuseumist Vaata kööki!
Lilled ja linnalahingud Plats puhtaks – enter the untitled Raoul Kurvitz. Suuremad löögid.
(ilukirjandus:) J-day Kui lugeja kirjutab, siis kirjutajad loevad Liivimaa anekdoot Oleks tädil rattad, oleks ta trollibuss Sisust ja vormist Teeme, teeme uue skeene
Avaliku ruumi kunstist kui kommunikatsiooniaktist Mis on kollektiivne autor? Mis on plakat? Piraadid, parteid ja poliitreklaam Psychobitch'ist sirgub koduperenaine
Fiktiivne maalikunst Miks valida tekstimassiiv? Tütarlapsest kasvab bitch
Altermodern God Save the Queen Next Train to Transcendental Taktikaline meedia: ei hea ega halb, vaid vajalik X x X Artishoki aastanäituse kataloog
Don't Tell MoMa Margolin ise Eestis Pidu ja poliitika
Kunstirindel muutusteta
Art Design Text CV
2018 2015 2014 2013 2012 2011 2008 2007 2006 2005 2004 2003 2002 2001 1998
I Want You! Next Stop: Academy of Arts
Raymond the Diamond
Raymond the Diamond The First Three Minutes You and Me
Are We Not Drawn Onward to New Era Novella Never Odd or Even
KP / House of the 27 Rising Suns KP / The Haunted History Museum
Face It Let's Face It!
Artishok Annual Exhibition: XxX Blood and Honor Horror Mirror​ State of Decorations This Was the Best Party and I Wasn't There View to the Freedom Square
Sky Is the Limit and We Are On the Half Way Untitled You Are the One I Have Waited For
Black ceiling Wooligans
Arvo Pärt The Bomb I The Bomb II
Art is Great! I Could Be Your Mother! Leave Home
Hot Art Chatline
Happy Holocaust Smells Like Teen Spirit Visitors From the Future
Avant-garde or Death The Classics
Various drawings
2022 2021 2020 2019 2018 2017 2016 2015 2014 2013 2012 2011 2010 2009 2008 2007 2006 2005 2003 2002 2001
A New World Health Insurance for All! Homing Beyond Everyone Lembit Ulfsak Stand by Me Tell Me Tõnis Vint
13th Youth Song and Dance Celebration bLOSSom Captain Volkonogov Escaped Cats & Dogs Return to Innocence Stories of Love, Bloom, Lust and Loss TAVA ´21 The Houses We Need
Dramagazine Hier Nicht Kunst.ee '20 Museums Today The Conspiracy of Art
Call Center (TV) Curator Estonian Drama Theatre Kunst.ee`19 The Invisible Fight
Anti-Animation Art is a Jam on Life's Bread Kunst.ee '18 TAVA '18 The Man Who Surprised Everyone The X-Files Tönk Words
(Hyper)emotional:YOU Funk Lessons Kunst.ee '17 November movie
Active Encounters (ENM) Digital Encounters (ENM) Encounters (ENM) Encounters catalogue (ENM) Kunst.ee '16 Life is easy, living yet difficult Model, Metaphor, Play TAVA '16
Budapest (VKT) Contact (VKT) Estonian Music Days '15 Hopeless Youth! How the West Was Won (VKT) Kunst.ee '15 Our Moms Were Buying Stuff Lest the War Happen (VKT) The Nativity Words (VKT) Unbuilt / Ehitamata
# Chilling Around Town (ENM) 2150 Portraits / Dolly At the End, There's Only Love (VKT) Estonian Music Days '14 Kunst.ee '14 Käbekärp (VKT) Life is Very Hard (VKT) Razor Blade meets Occam's Razor Razor Blade: The Book of Krahl (VKT) Social Games in the Art Space The Curse of Solaris (VKT) Typical Individuals What We Talk About When We Talk About Love – or – Barbarella (VKT)
4.48 Psychosis; Cleansed (VKT) Art's Birthday Bloody Mary (VKT) Estonian Music Days'13 Kunst.ee '13 Oh My God (VKT) Palindrome I Palindrome II Rehepapp movie Sarah Kane magazine (VKT) Simulacre (VKT) Slave (VKT) Snark Von Krahl Theatre
Apocalypse Now Estonian Music Days '12 Grammar of the Multitude Kunst.ee '12 Shopping Fever (ENM) The Language of the Flowers (VKT) Wanradt-Koell Catechism
Composer in Residence Estonian Music Days '11 F like Futurism Indie-Disco Kunst.ee '11 Lift11 LR magazine The Idiot movie The Presence of Absence I The Presence of Absence II Unesnõiduja
II Artishok Biennale Artishok Records Big Man Already (TCT) God's Zanies (TCT) It's Only the End of the World (TCT) Kunst.ee '10 Ministry of Arts Moriarty 2010 Play the Tongue (ENM) Split Mind The Fire Risers (TCT)
Empty Set Grey Matter Kunst.ee magazine Thesaurus for the Minotaurus
Art and Research Artishok Annual Exhibition: 10x10 Before You Think Groupings in Contemporary Estonian Art If You'll Believe in Me, I'll Believe in You Stella: Love You Boy Temporary Type I Temporary Type II The World's Last TV-show
Ariel Fresh Paint KUMU 1990s Culture Club Parasite typography Small Art Stella / Chalice
Artishok Creative Class Hero Edasi Funerals of President Lennart Meri
Arvo Pärt Festival My Way – Hard Way Young Estonians
Quest for Fire
Revolution Special The Inscrutable Mystery
100% Night
English Estonian
2022 2021 2020 2019 2018 2017 2016 2014 2012 2011
From Disruption to Innovation
Archaeology and the future of the Estonian post-internet
Home Tactical media and DIY activism from the global point of view
Things That Matter
Peeter Linnap, CEO of “Factory of History” The Geopolitics of the Sublime
Death in Venice Introduction to the Interior The Great Branding of Nations
We Are Standing on the Shoulders of Fallen Heroes
About Street Art ALLURE 'EM Place and Interventionist Art The Cultural Pyramid Scheme
Content and Form
On Public Art as Communication Act
2022 2021 2020 2019 2018 2017 2016 2015 2014 2013 2012 2011 2010 2009 2008 2007
Crypto-core kui tõejärgse ajastu esteetika Katkestusest innovatsioonini Rahumäe (ilukirjandus)
1983, Loksa (ilukirjandus) Eesti postinterneti arheoloogia ja tulevik
Kodu
Asjad, mis loevad Brändid barrikaadidel
Artishok: Kontekst Peeter Linnap, “Ajaloo vabriku” tegevjuht Ülevuse geopoliitika
Sissejuhatus interjööri Suur rahvaste brändimine
Me seisame langenud kangelaste õlgadel
Hämmeldunud ja segaduses, aga õnnelik Õudsed lood
Koht ja sekkuv kunst Kultuuri püramiidskeem MERE LAUL Tänavakunstist Uuest Eesti Rahva Muuseumist Vaata kööki!
Lilled ja linnalahingud Plats puhtaks – enter the untitled Raoul Kurvitz. Suuremad löögid.
(ilukirjandus:) J-day Kui lugeja kirjutab, siis kirjutajad loevad Liivimaa anekdoot Oleks tädil rattad, oleks ta trollibuss Sisust ja vormist Teeme, teeme uue skeene
Avaliku ruumi kunstist kui kommunikatsiooniaktist Mis on kollektiivne autor? Mis on plakat? Piraadid, parteid ja poliitreklaam Psychobitch'ist sirgub koduperenaine
Fiktiivne maalikunst Miks valida tekstimassiiv? Tütarlapsest kasvab bitch
Altermodern God Save the Queen Next Train to Transcendental Taktikaline meedia: ei hea ega halb, vaid vajalik X x X Artishoki aastanäituse kataloog
Don't Tell MoMa Margolin ise Eestis Pidu ja poliitika
Kunstirindel muutusteta

Mis on kollektiivne autor?

Käesolev artikkel lähtub teesist, et käsitlused kollektiivsetest autoritest kui romantistliku autorikontseptsiooni paroodiaist või pseudonüümsuse erijuhtumeist ei ole piisavad, sest ei suuda kirjeldada kollektiivse autoripositsiooni produktiivseid aspekte. Analüüsi eesmärgiks on avada sellise käsitluskonflikti olemust ning leitud kontseptuaalsete kattuvuste ja lahknevuste kaudu jõuda kollektiivse autori kui toimiva autoripositsiooni olemuslikuma kirjeldamiseni.
Kirjutise alguses piiritlen mõisted autor ning kollektiivne autor ning annan põgusa teoreetilise ülevaate autori surma järel autorimõiste ümber kirjandus- ja kunstiteadustes toimunud diskussioonist. Seejärel analüüsin nüüdisaegsete autorikontseptsioonide valguses kolme iseloomulikku kollektiivset autorit – Nicolas Bourbakit, Luther Blissettit ning Subcomandante Marcost. Analüüsi eesmärgiks on välja tuua aspektid, milles kollektiivsed autorid täidavad autorifunktsioone ning aspektid, milles satutakse autorifunktsiooniga konflikti. Kontseptuaalsete kattuvuste ning katkestuste kaardistamise kaudu tahan jõuda lähemale põhjustele, miks enamasti käsitletakse kollektiivseid autoreid pigem kurioossete ning autorikontseptsiooniga vastasseisus olevaina.

*

Märksõnad: autor, kollektiivne autor, pseudonüüm, Nicolas Bourbaki, Luther Blissett, Subcomandante Marcos

Acta Semiotica Estica VIII
21 lk

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